When playing the piano, you can engage multiple notes at the same time, giving it the sought after distinction of being a musical instrument capable of harmonizing. Sure, you can harmonize all by yourself with a piano, even though other instruments in a band or orchestra can play collectively to form the harmony.
Playing many notes at the same time is the essence of harmony. The types of notes you choose and how you arrange them across the melody determines the kind of peace you produce, no matter if you use many notes or just one hand to play something simple.
How to Developing Intervals
The distance between any two musical notes is referred to as an interval. You must know the concept of intervals and the notes that make up each interval to help you select and identify the right notes to build harmonies. But you also use intervals to build and identify notes in a melody. The melody can do one of three things as you play or sing the notes of a melody: It will stay constant, it can go up, or it can go down. Whenever it goes up or down, the question of how much leads to the subject of melodic intervals.
You measure an interval by the number whole-steps or half-steps between the two notes played. This can seem tedious if you are trying to figure out so we will be using the major scales as a way to measure.
We need to look at some examples that will help you understand. Let's check out the C Major scale to illustrate what I suggest. The distance between the C and the D inside the C Major scale is a 2nd. D is the next note in the scale. Adhere to the same logic and you'll find that C to E can be a third, C to F is a 4th, C to G is a fifth, C to A is a 6th, C to B is a seventh, and C to the next C are an eighth. An interval of an eighth is additionally called an octave.
What about the sharps and the flats, although now you know all of the major intervals of the C Major scale? Let's take a look at those intervals now. Earlier in the article, I referred to the interval of C and the D as a second. Let's take that a step more and calls it a major second. You'll realize that there is a black key in between the C and the D keys, the D-flat key, if you look at the keyboard. This interval is not quite a complete, or major second, so we call it a minor 2nd. The same goes for the interval involving E and C. Before the E key, there is a black key to the right. If the E key is really a major third, we can touch the black note directly before it giving us a minor third.
Ok, so I've told you what to expect if we go down a part interval. What happens when the black color key goes up a partial interval with the G key? When looking at the G and C interval, we have a fourth. What if we have a G sharp key? The G sharp key is referred to as an augmented fourth. When you hear the term augmented, the thing of it being higher than a fourth. Another way of looking at it is being a diminished fifth. It can be both because it is equally as close to the 5th compared to the fourth. In the case of the fifth, be aware that it is lower than, or diminished.
This logic can be applied entirely throughout the scale.Before the major sixth made by the A key, the A flat key is a minor sixth right. Because it is right after the perfect fifth, the A flat key can also be called an augmented fifth. B and C is a major seventh, it stands to reason that the-the distance between C to B flat is a minor seventh.
This can all seem somewhat overwhelming at first, and I'll go into a lot more depth with it in later articles. For the time being, I strongly inspire you to re-watch the video or re-see the text as much as required to get at least a simple grasp on intervals. A greater knowledge of intervals and how they relate to one another will have a profound impact on your ability to create melodies or play them by ear. Intervals are not only very important but are the building blocks of chords.
Exploring the types of intervals
Like scales, piano intervals come in different varieties: major, diminished, perfect and minor and augmented. It is crucial that you learn each one to build and identify harmonies while you are playing the piano. If you want to build a minor chord to harmonize with a melody, you must use a minor interval, for example.
Brief Explanation of Chords
A chord is 3 or more notes played together. The "broken" chord is called an arpeggio if the notes are played separately. If you manage to play arpeggios quickly, it is a good technical exercise and also a good improvisation technique. Chords are the basis or core for the accompaniment of all songs and are used differently in many styles. As shown in the next section if we base the formation of chords into intervals we can say that a chord consists of two intervals being put together.
The reason why this is called a major chord is due to the first major interval as you will recognize. Most chords are named after the initial interval that you play. With regard to making things very easy to play and comprehend, I base this type of chords on the c scale and put the notation of the fingers which are used after the note. So, if we would play D with the index finger the notation used will be D2. If you wish to do so with the left hand, simply reverse the order of the fingers you use on your right hand, I assume you are playing these chords with your right hand. This is why piano builds a lot of coordination.
As you would have suspected, the minor third commences after C1 and E3, then we play a G which gives us a third minor. It is important to look at the third key when determining the chord.
Bottom line and Tips
Even though this might seem really mind-boggling at first, this utilizes the basis of interval and shows their significance into chord forming. it is actually good that you go on see and experimenting what kind of intervals form which sort of chords. It is way better to discover the syntax of your language or discover the vocabulary with a thesaurus of the same language instead of reminding yourself in the equivalent word with your first language. To put it differently, using intervals in this manner is bound to make you realize the partnerships between minor and major, chord inversions and figuring them out rather than make an effort to memorize all the notes continually. This will also get help you be a better pianist and a better musician. Explore and put dedication into it. Once you process chords there will be the desire to no longer remember the chord's composition by using intervals. The piano can be as easy and as hard as you want so that it is. In the next articles, we are going to be discussing far more chords and their intervals. Ultimately, we will focus on stylistic patterns used in various rhythms. The diversity is really great as far as the styles you can play and relations in music theory. That's what makes piano really complex to teach and introduce.